In Moel Bosh’s new collection, titled “Cradle of Silk and Cotton,” East and West harmonize in unison. Uzbek textiles meet European silhouettes, creating a fashion dialogue where every detail becomes a declaration of love for craftsmanship and heritage.

The name of the collection refers to the beshik—the traditional Uzbek cradle, a symbol of beginning and continuity. It serves as a metaphor: the fabric, the embroidery, the movement of the material—all unite generations of women and artisans whose hands weave history.

The embroidery was created by the craftswomen of Madina Kasimbaeva’s school, exclusively for Moel Bosh. Their work reflects the delicacy of handcraft, the breath of tradition, and a sense of modern lightness.

The palette of the collection evokes the warmth of the earth and the glow of morning light: sandy, creamy, gray-blue, pale terracotta, soft pink, and lilac. The silhouettes are soft and feminine, with flowing shoulder lines and a focus on the waist. Dresses, skirts, jackets, and coats seem to move with the air, preserving the lightness of the fabric.

“Cradle of Silk and Cotton” is more than just a collection. It is a manifesto of care for cultural heritage and a reminder that handcraft remains the most contemporary of values.

The Moel Bosh brand was founded in 2012 by Zukhra Inat and her daughters—Diyora, Dodo, and Guzal. The label specializes in handcrafted designer clothing, where traditional ikat is paired with modern tailoring. Each piece is crafted with special love and attention to detail, and the fabrics are designed by Zukhra Inat herself. Moel Bosh favors natural materials—silk and cotton—and creates its own textiles, which makes the brand authentic, natural, and entirely handmade.

This collection is inspired by the ornaments of ancient Samarkand, and each embroidery carries its own symbolic meaning and is also handcrafted.